
Chantal Akerman
Born June 6, 1950 · Brussels, Belgium
Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
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Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

Je Tu Il Elle

Son chant

Tell Me

Morceaux de Cannes

Down There

Portrait of a Lazy Woman

Guest

La chambre

Porto

Chantal Akerman by Chantal Akerman

Delphine and Carole

Chantal Akerman, an autobiography

The Man with the Suitcase

The Beloved Child, or I Play at Being a Married Woman

Birth of a Nation

The Day When...

Pictures of Europe

From the Other Side

Saute ma ville

In Her Own Words

But Elsewhere Is Always Better

Family Business

Chantal Akerman: An Interview

Chantal Akerman: Always on the Road

Calling the Shots

Seven Women, Seven Sins

Maniac Summer

What Is Cinema?

Chantal Akerman

Autour de La Folie Almayer

News from Home

‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen

Making of Tomorrow We Move

My Mother Laughs Prelude

De droomproducenten

One Day Pina Asked...

She Spent So Many Hours Under the Sun Lamps

No Home Movie

Letter from a Filmmaker: Chantal Akerman

Interview with my mother, Natalia Akerman

Interview with Babette Mangolte

The Art of Time

Around Jeanne Dielman

Knokke: une petite fiction 2

Examen d'entrée INSAS






