
Jean Rouch
Born May 31, 1917 · Paris, France
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Notable Appearances
More Movies

Outlaw

Freddy Buache, le cinéma

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)

Ciné-Portrait of Raymond Depardon

La Nouvelle Vague par elle-même

My Conversations on Film

Nouvelle Vague : El cine sin dogmas

The Mad Masters

Jean Rouch: First Film 1947-1991

Pierre Fatumbi Verger: Messenger Between Two Worlds

The Dreamed Films

A Friendly Handshake

The Doll

Samba the Great

Encountering Jean Rouch

Letter to Jean Rouch

Rouch in Reverse

Portrait de Jean Rouch

World Without a Game

Jean Epstein, Young Oceans of Cinema

Germaine chez elle

Jean Rouch, des mensonges plus vrais que la réalité

L’Enigma di Jean Rouch a Torino - Cronaca di un film raté

An Egg with No Shell

Ispahan: A Persian Letter (The Chah Mosque at Ispahan)

Work(ing Together) in Process

Ciguri - Tarahumaras 99 - Le dernier chaman

The Sons of the Water

Ciguri – Tarahumaras 98 - La Danse Du Peyotl




