
Jean Rouch
Born May 31, 1917 · Paris, France
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
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Jean Rouch: First Film 1947-1991

Ciné-Portrait of Raymond Depardon

Chronicle of a Summer

Freddy Buache, le cinéma

Outlaw

Cinématon

Germaine chez elle

The Mad Masters

Ciguri – Tarahumaras 98 - La Danse Du Peyotl

Nouvelle Vague : El cine sin dogmas

Samba the Great

Encountering Jean Rouch

La Nouvelle Vague par elle-même

Son of Gascogne

Pierre Fatumbi Verger: Messenger Between Two Worlds

Ciguri - Tarahumaras 99 - Le dernier chaman

The Doll

Letter to Jean Rouch

Jean Epstein, Young Oceans of Cinema

An Egg with No Shell

A Friendly Handshake

World Without a Game

Portrait de Jean Rouch

Ispahan: A Persian Letter (The Chah Mosque at Ispahan)

The Sons of the Water

Jean Rouch, des mensonges plus vrais que la réalité

Rouch's Gang

L’Enigma di Jean Rouch a Torino - Cronaca di un film raté




