
Charles Boyer
Born August 28, 1899 · Figeac, Lot, Midi-Pyrénées, France
Charles Boyer (28 August 1899 – 26 August 1978) was a French actor who appeared in more than 80 films between 1920 and 1976. After receiving an education in drama, Boyer started on the stage, but he found success in movies during the 1930s. His memorable performances were among the era's most highly praised romantic dramas, Algiers (1938) and Love Affair (1939). Another famous role was in the 1944 mystery-thriller Gaslight. He received four Academy Award nominations for Best Actor.
Notable Appearances
More Movies

The Barcarolle of Love

The Earrings of Madame de...

Stavisky...

Lost Horizon

Love Affair

A Very Special Favor

The Four Horsemen of the Apocalypse

1939: Hollywood's Greatest Year

Riviera Dream

The Madwoman of Chaillot

The Constant Nymph

Confidential Agent

Appointment for Love

The Cobweb

The Battle of the Rails

Back Street

La Parisienne

All This, and Heaven Too

Flesh and Fantasy

Breakdowns of 1942

Cluny Brown

Arch of Triumph

L'Enigme Charles Boyer

Algiers

Ingrid Bergman Remembered

The Casting Couch

What a Woman!

History Is Made at Night

La bataille

Going Hollywood: The '30s

Hollywood: The Dream Factory

Red-Headed Woman

Conquest

Tales of Manhattan

When Tomorrow Comes

The Romance of Celluloid

Together Again

A Woman's Vengeance

Fanny

Hold Back the Dawn

A Matter of Time

Moi et l'impératrice

The Garden of Allah

Thunder in the East

The Day the Hot Line Got Hot

Hollywood Goes to Town

Adorable Julia

Break of Hearts

Love is a Ball

Chantelouve

Orage

Mayerling

The Louvre

Tovarich

The Fighting Lady

The Man of the Sea

Captain Fracasse

Le Bonheur

Caravan

The Man from Yesterday

Death In Hollywood

The Wild Bunch

Liliom

Garbo, by Joan Crawford

The First Legion

Private Worlds

Paris, Palace Hôtel

Shanghai

The Happy Time

Demons at Midnight

The Only Girl

The Battle

The 13th Letter

The Hawk

Nana

Maxime

The Big House

Caravane

Tumultes

The Trial of Mary Dugan

The Magnificent Lie

Reflections on 'Gaslight'




















