
Gabriel Byrne
Born May 12, 1950 · Dublin, Ireland
Gabriel James Byrne (born 12 May 1950) is an Irish actor. He has received a Golden Globe Award and nominations for a Grammy Award, two Primetime Emmy Awards and two Tony Awards. Byrne was awarded the Irish Film and Television Academy Lifetime Achievement Award in 2018 and was listed at number 17 on The Irish Times list of Ireland's greatest film actors in 2020. In 2009, The Guardian named him one of the best actors who never received an Academy Award nomination. Byrne's acting career began at the Focus Theatre in Dublin before he joined London's Royal Court Theatre in 1974. His screen debut came in the Irish drama serial The Riordans and the spin-off show Bracken. He went on to star in such films as Defence of the Realm (1986), Lionheart (1987), Miller's Crossing (1990), Little Women (1994), Dead Man (1995), The Usual Suspects (1995), The Man in the Iron Mask (1998), Enemy of the State (1998), Vanity Fair (2004), The 33 (2015), and Hereditary (2018). He co-wrote The Last of the High Kings (1996) and produced In the Name of the Father (1993). For his Broadway work, Byrne has received two nominations for the Tony Award for Best Actor in a Play for his roles in the Eugene O'Neill plays A Moon for the Misbegotten (2000) and Long Day's Journey into Night (2016). For his television work, Byrne has received two nominations for the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series for his role as Paul Weston in the HBO drama series In Treatment (2008–2010). He also received a Golden Globe Award. His other notable television roles include Vikings (2013), Maniac (2018), and War of the Worlds (2019–2022). Description above from the Wikipedia article Gabriel Byrne, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Notable Appearances
Movies
TV Shows

Tony Awards

Late Night with Conan O'Brien

In Treatment

War of the Worlds

Maniac

Live from Lincoln Center

ZeroZeroZero

Strangers

Christopher Columbus

Vikings: Athelstan's Journal

Quirke

The Meaning of Life

Madigan Men

Secret State

Mussolini: The Untold Story

The Search for Alexander the Great

Inside the Actors Studio

The Last of Summer

Leningrad
More Movies

Miller's Crossing

Vampire Academy

Hello Again

Shade

Point of No Return

Spider

Vanity Fair

P.S.

Louder Than Bombs

I, Anna

Lost Girls

Murder at Yellowstone City

A Simple Twist of Fate

Jindabyne

Carrie Pilby

Into the West

Smilla's Sense of Snow

The End of Violence

Richard Burton: Wild Genius

Four Letters of Love

Julia and Julia

Gothic

Dance First

Wah-Wah

Perrier's Bounty

Mad Dog Time

Played

Capital

The Bridge of San Luis Rey

All Things To All Men

A Dangerous Woman

The Women of SNL

Trial by Jury

Buffalo Girls

Weapons of Mass Distraction

Prince of Jutland

Leningrad

A Man's Story

Saturday Night Live in the '90s: Pop Culture Nation

Siesta

Frankie Starlight

Lionheart

This Is the Sea

Killing Emmett Young

Pirates

The Last of the High Kings

Hanna K.

Versus: The Life and Films of Ken Loach

Making Love

Keyser Soze, Lie or Legend - Featurette

The Brylcreem Boys

Death of a Ladies' Man

Mad to Be Normal

Lies We Tell

Blue Road: The Edna O'Brien Story

Diamond Skulls

Somebody Is Waiting

Excalibur: Behind the Movie

2:22

Polish Wedding

John Ford: Dreaming the Quiet Man

Out of Ireland

No Pay, Nudity

In the Cloud

Virginia's Run

When Brendan Met Trudy

Camelot: Live from Lincoln Center

Defence of the Realm

A World War II Fairy Tale: The Making of Michael Mann's 'The Keep'

On a Paving Stone Mounted

All Things Bright and Beautiful

An L.A. Minute

Atlantic Salmon: Lost at Sea

Emotional Arithmetic

Round Up: Deposing 'The Usual Suspects'

Just a Sigh

The Courier

A Soldier's Tale

Patrick

The Outsider

The Rocking Horse Winner

Irish Cinema: Ourselves Alone?

Horses: The Story of Equus

My Astonishing Self: Gabriel Byrne on George Bernard Shaw

Shipwrecked

Cursed: The True Nature of Hereditary

Into the Night: Portraits of Life and Death

Walking with Ghosts

Michael Des Barres: Who Do You Want Me To Be?

Nothing Is What It Seems: The Making Of 'The Usual Suspects'























