
Ben Burtt
Born July 12, 1948 · Jamesville, New York, USA
Benjamin "Ben" Burtt, Jr. is a sound designer, film editor, director, screenwriter, and voice actor. He has worked as sound designer on various films, including the Star Wars and Indiana Jones film series, E.T. the Extra-Terrestrial, WALL-E, and Star Trek. He is responsible for creating many of the iconic sound effects heard in the Star Wars film franchise, including the binary speech of R2-D2, the lightsaber hum, the sound of the blaster guns, and the heavy-breathing sound of Darth Vader, which he made by breathing into a scuba regulator. Burtt has a reputation for popularizing a sound effect dubbed the "Wilhelm scream", which was taken from a character named Wilhelm in the 1953 film The Charge at Feather River.
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Under the Helmet: The Legacy of Boba Fett

Making Waves: The Art of Cinematic Sound

Empire of Dreams: The Story of the Star Wars Trilogy

Star Wars: The Magic & the Mystery

George Lucas: Creating an Empire

From Puppets to Pixels: The Making of Star Wars Episode II

R2-D2: Beneath the Dome

And the Oscar Goes To...

Within a Minute: The Making of Star Wars Episode III

Star Wars: Music by John Williams

Fog City Mavericks

SP FX: The Empire Strikes Back

When Star Wars Ruled the World

From Star Wars to Jedi: The Making of a Saga

Lincoln: An American Journey

Films Are Not Released, They Escape

WALL·E's Treasures & Trinkets

RKO Production 601: The Making of “Kong, the Eighth Wonder of the World”

Ben-Hur: The Epic That Changed Cinema

The Making of The Empire Strikes Back

The Making of 'E.T. the Extra-Terrestrial'

The Sound of 'Indiana Jones'

Amazing! Exploring the Far Reaches of Forbidden Planet

I Am Your Father

Standing on the Shoulders of Kubrick: The Legacy of 2001

The Making of the Wonderful Wizard of Oz

The Force of Sound

Robby the Robot: Engineering a Sci-Fi Icon

Michael Curtiz: The Greatest Director You Never Heard Of

Wings: Grandeur in the Sky

EditDroid: Rise and Fall

Animation Sound Design: Building Worlds from the Sound Up

State of the Art: The Pre-Visualization of 'Episode II'






