
Norma Shearer
Born August 10, 1902 · Montreal, Quebec, Canada
From Wikipedia, the free encyclopedia. Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films. Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards". Simultaneously, Shearer's ten-year collaboration with portrait photographer George Hurrell and her lasting contribution to fashion through the designs of Adrian were also recognized. Shearer is widely celebrated by some as one of cinema's feminist pioneers: "the first American film actress to make it chic and acceptable to be single and not a virgin on screen". In March 2008, two of her most famous pre-code films, The Divorcee and A Free Soul, were released on DVD. Description above from the Wikipedia article Norma Shearer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Notable Appearances
More Movies

Hollywood Out-takes and Rare Footage

Marie Antoinette

Hollywood: Style Center of the World

Sports on the Silver Screen

Idiot's Delight

The Hollywood Revue of 1929

You're the Top: The Cole Porter Story

Cavalcade of the Academy Awards

A New Romance of Celluloid: The Miracle of Sound

He Who Gets Slapped

The Making of a Legend: Gone with the Wind

Hollywood: The Dream Factory

Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood

Hollywood Goes to Town

Twenty Years After

Lady of the Night

Judy Garland: By Myself

The Barretts of Wimpole Street

Let Us Be Gay

Romeo and Juliet

A Slave of Fashion

Riptide

Brasileiros em Hollywood

The Last of Mrs. Cheyney

The Student Prince in Old Heidelberg

Complicated Women

The Stolen Jools

From the Ends of the Earth

Pleasure Mad

Joan Crawford: Always the Star

A Lady of Chance

The Romance of Celluloid

Escape

The Devil's Circus

The Trial of Mary Dugan

Leslie Howard: The Man Who Gave a Damn

Screen Snapshots Series 18, No. 8

Vito

A Man's Man

The Tower of Lies

Smilin' Through

A Free Soul

Another Romance of Celluloid

We’re Switching to Hollywood

Her Cardboard Lover

Way Down East

The Man Who Paid

The Latest from Paris

Going Hollywood

The Divorcee

Pretty Ladies

The End of the World

Private Lives

Strangers May Kiss

The Bootleggers

1925 Studio Tour

We Were Dancing

Waking Up the Town

Strange Interlude

The Movie Album

The Film Parade

The Devil's Partner

Their Own Desire

The Christmas Party

Lucretia Lombard

Channing of the Northwest

The Demi-Bride

The Taming of the Shrewd

The Restless Sex

A Clouded Name

The Trail of the Law

Broadway After Dark

The Flapper

The Waning Sex

Broken Barriers

The Wolf Man

The Star Boarder

Empty Hands

Excuse Me

The Wanters

The Actress

Torchy's Millions

After Midnight

The Snob

The Stealers

Man and Wife

Master Will Shakespeare

Upstage

Married Flirts

His Secretary






