
Norma Shearer
Born August 10, 1902 · Montreal, Quebec, Canada
From Wikipedia, the free encyclopedia. Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films. Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards". Simultaneously, Shearer's ten-year collaboration with portrait photographer George Hurrell and her lasting contribution to fashion through the designs of Adrian were also recognized. Shearer is widely celebrated by some as one of cinema's feminist pioneers: "the first American film actress to make it chic and acceptable to be single and not a virgin on screen". In March 2008, two of her most famous pre-code films, The Divorcee and A Free Soul, were released on DVD. Description above from the Wikipedia article Norma Shearer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Notable Appearances
More Movies

Brasileiros em Hollywood

Romeo and Juliet

Complicated Women

Pleasure Mad

The Making of a Legend: Gone with the Wind

Idiot's Delight

The Stolen Jools

Marie Antoinette

Twenty Years After

Hollywood Out-takes and Rare Footage

Hollywood: Style Center of the World

You're the Top: The Cole Porter Story

The Hollywood Revue of 1929

Hollywood: The Dream Factory

Riptide

The Movie Album

Cavalcade of the Academy Awards

Sports on the Silver Screen

The Romance of Celluloid

He Who Gets Slapped

The Barretts of Wimpole Street

Escape

Way Down East

The Bootleggers

A Free Soul

Judy Garland: By Myself

A Slave of Fashion

Their Own Desire

Joan Crawford: Always the Star

The Divorcee

Smilin' Through

Hollywood Goes to Town

Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood

Her Cardboard Lover

The End of the World

Vito

Lady of the Night

Screen Snapshots Series 18, No. 8

The Christmas Party

The Devil's Partner

Strange Interlude

The Demi-Bride

The Waning Sex

From the Ends of the Earth

We’re Switching to Hollywood

A Man's Man

The Flapper

Pretty Ladies

1925 Studio Tour

Leslie Howard: The Man Who Gave a Damn

A Clouded Name

The Man Who Paid

A New Romance of Celluloid: The Miracle of Sound

Let Us Be Gay

Torchy's Millions

The Latest from Paris

The Student Prince in Old Heidelberg

Strangers May Kiss

Broken Barriers

Private Lives

Going Hollywood

The Film Parade

Another Romance of Celluloid

The Wolf Man

We Were Dancing

The Last of Mrs. Cheyney

The Star Boarder

The Restless Sex

His Secretary

Master Will Shakespeare

Married Flirts

Broadway After Dark

Man and Wife

The Trail of the Law

The Snob

Lucretia Lombard

A Lady of Chance

Excuse Me

The Devil's Circus

The Wanters

Waking Up the Town

The Trial of Mary Dugan

Empty Hands

Upstage

The Actress

The Tower of Lies

The Taming of the Shrewd

The Stealers

After Midnight

Channing of the Northwest




