
Helena Ignez
Born May 23, 1939 · Salvador, Bahia, Brazil
Helena Ignez (Salvador, May 23, 1939) is a Brazilian actress and filmmaker. Helena was born in Salvador, Bahia and was attending her second year of law school when she fell in love with theater and decided to study the Dramatic Arts at the Federal University of Bahia. At the time, the Bahian theater scene was breaking with traditional Brazilian theater and experiencing strong influence from the young vanguard. She first appeared on the screen in Glauber Rocha's short film "Pátio". Helena acted in a few films associated with the Cinema Novo movement, such as "A Grande Feira" (1961), "Assalto ao Trem Pagador" (1962), and "O Padre e a Moça" (1966) before playing Janete Jane in O Bandido da Luz Vermelha by Rogério Sganzerla. After this film, she would perform in some most significant films in the Cinema Marginal movement, which directly opposed the critically acclaimed Cinema Novo -- the most remarkable being her role as Ângela Carne e "Osso in A Mulher de Todos" (1969). She also was a financial partner of Rogério Sganzerla and fellow Cinema Marginal filmmaker Júlio Bressane in the short-lived, although prolific, Belair production company. Between 1968 and 1970, Sganzerla and Ignez made almost a dozen films together and were also married and had two children -- one of which would become actress Djin Sganzerla. As a filmmaker, Ignez has directed 7 films, the most notable being "Luz das Trevas" (2010), a sequel to Sganzerla's debut feature "O Bandido da Luz Vermelha" (1968).
Notable Appearances
More Movies

A Film to Remind Us of Utopia

Fakir

Subterrânea

Ugly, Me?

Extracts

Copacabana Mon Amour

Brazilian Cinema in the 20th Century

Anônimo e incomum

Candango: Memoirs from a Festival

Oswaldianas

Embodiment of Evil

The Long Voyage of the Yellow Bus

The Red Light Bandit

Celebração - 100 Anos do Cinema Nacional

Rio de Topless

Eclipse

Memoirs of a Strangler of Blondes

A Última Vanguarda

All Paulos in the World - Paulo José

Memórias do Grupo Opinião

Joy Is the Acid Test

Belair

Fogo Baixo, Alto Astral

Glauber Rocha - The Movie, Brazil's Labyrinth

The Welles Raft

Not Even God Is As Fair As Your Jeans

Face to Face

A Grande Feira

Baron Olavo, The Horrible

Helena de Guaratiba

Mulher Oceano

Assault on the Pay Train

A Vermelha Luz do Bandido

Cartas Para Rian

My Calendar Girl

Helena! Cinema!

Flesh

Love Film Festival

It's Not All True

The Monsters of Babaloo

Perigo Negro

Watch Out, Madame

Poder dos Afetos

The Rowdy Family

Scent of Gardenias

Um Intruso no Paraíso

The Outsiders

A Man and His Cage

A Mulher da Luz Própria

Natureza Morta

The Woman of Everyone

The Mother

Mulheres de Cinema

Light in Darkness: The Return of Red Light Bandit

The Priest and the Girl

Um Documentário Brasileiro

Notícias do Fim do Mundo

Bring me the Head of Carmen M.

O Engano

The End of an Age

No way, Spider

São Jerônimo

The Lady Who Died in the Trailer

Grito da Terra

Flying Geraldo

Meu Mundo em Perigo

Race Antenna

The Sign of Chaos

If I'm Here It Is by Mystery

Avacalha e se Esculhamba

O Pátio

A Miss e o Dinossauro

Gravidade

Febre

O Desmonte do Monte

The Good Cinema

Terno

Inaudito

Desculpa, Dona Madama

Benjamim Zambraia e o Autopanóptico

Venus – Filly the Lesbian Little Fairy

Trópico de Leão

O Mel é Mais Doce Que o Sangue

Ensaio Sobre o Fracasso

A Bela P...

Retrato da Terra

Abry

Message from Sergipe

Ossos

B2

Esse fim de semana vou me dedicar as paredes

Mr. Sganzerla: Os Signos da Luz

Luz-Lux-Lúcia

Copacabana, Mon Amour: A Restauração

Spray Jet

Reinvenção da Rua

Deuses da Peste

Nova Pasta, Antigo Baú

Nelson Carneiro: Knight of Democracy

As Florestas da Noite

In Memoriam: O Roteiro do Gravador










